Mayflies are said to live for only one day.
Some say they emerge only to disappear. Some imagine they spend most of their brief lives hovering between water and air, light and shadow, instinct and sleep. Others dream of what they dream.
Featuring the works of Tianshu Zhang and Ailyn Lee, the exhibition is to be read as the elaborated dreams of The Overslept Mayfly. Moving through drift, metamorphosis, and private symbolism, the exhibition unfolds like a tale remembered incompletely — something overheard in sleep, half-preserved and half-forgotten.
Ailyn Lee’s work builds intimate cosmologies through insects and small devotional objects that feel at once familiar and strangely singular. Her paintings and sculptural tableaux resemble cabinets of memory: fragments of correspondence, nocturnal creatures, miniature reliquaries, and private mythologies arranged with ritual care. Butterflies and moons linger as quiet witnesses to longing, repetition, and reverie. Gothic and delicate, Lee’s world feels suspended somewhere between a childhood bedroom, a taxonomic archive, and an altar to things too fragile to keep.
Alongside, Tianshu Zhang paints figures that emerge and dissolve simultaneously. Flesh folds into shapes; bodies soften into liquified color. The morphing forms hover between intimacy and abstraction, as if caught mid-transformation — lovers, ghosts, embryos, selves. Saturated violets, bruised pinks, and glowing ambers move across the canvas like weather passing through skin. What remains is articulated sensations: tenderness stretched across instability.
Together, Lee and Zhang construct an emotional ecology of ephemerality. One gathers remnants; the other dissolves forms. One works through object and symbol, the other through atmosphere and bodily metamorphosis. Yet both return insistently to the same question: what does it mean to hold onto something that cannot remain?
Mayflies belong to a day in May, or so they say. Yet this one arrives late.
Perhaps it lingered too long in dream. Perhaps it lost its sense of season. Or perhaps certain fragile things simply refuse to vanish when expected. The Overslept Mayfly unfolds in this slight delay — where memory stretches, forms soften, and longing remains awake just a little longer.
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Ailyn LeeA Room for Small Creatures, 2026Oil, colored pencil, drawer handle, lock, Hanji paper, plastic ant, paraffin wax, and wood stain on engraved panel12 x 6 x 1 1/2 in
30.5 x 15.2 x 3.8 cmALEE04Copyright The Artist -
Ailyn LeeMoonlit Guest Room, 2026Water-soluble pastel, colored pencil, wood stain, and drawer handles on engraved panel16 x 16 x 1 1/2 in
40.6 x 40.6 x 3.8 cmALEE05Copyright The Artist -
Ailyn LeePlease Do Not Open the Drawer, 2026Oil, colored pencil, Hanji paper, thread, drawer handle, lock, paraffin wax, and wood stain on engraved panel6 x 12 x 1 in
15.2 x 30.5 x 2.5 cmALEE11 -
Ailyn LeeDreaming jar, 2026Water-soluble pastel, colored pencil, wood stain, drawer handle, and key on engraved panel20 x 16 x 1 1/2 in
50.8 x 40.6 x 3.8 cmALEE06Copyright The Artist -
Tianshu ZhangToward the last light, 2026Oil on panel57 x 47 in
144.8 x 119.4 cmTZ16 -
Tianshu ZhangSuspira, 2026Oil on panel12 x 36 in
30.5 x 91.4 cmTZ12 -
Tianshu ZhangPrayer, 2026Oil on panel60 x 48 in
152.4 x 121.9 cmTZ11 -
Tianshu ZhangJust before the light touched, 2025Oil on canvas24 x 48 in
61 x 121.9 cmTZ09Copyright The Artist -
Ailyn LeeBlooming Jar, 2026Water-soluble pastel, colored pencil, wood stain, Hanji paper, drawer handle, and key on engraved panel
20 x 16 x 1 1/2 in
50.8 x 40.6 x 3.8 cmALEE09 -
Ailyn LeeThreaded Wings, 2026Oil, colored pencil, Hanji paper, thread, drawer handle, lock, paraffin wax, and wood stain on engraved panel6 x 12 x 1 in
15.2 x 30.5 x 2.5 cmALEE10 -
Ailyn LeeEvening Jar, 2026Water-soluble pastel, colored pencil, wood stain, Hanji paper, drawer handle, and key on engraved panel20 x 16 x 1 1/2 in
50.8 x 40.6 x 3.8 cmALEE08 -
Ailyn LeeNabi, 2026Stone clay, Hanji paper, Nobang silk, textile, thread, needle, engraved wooden furniture, mannequin finger, pigment, watercolor, water-soluble pastel, and wood stain60 x 60 x 48 in
152.4 x 152.4 x 121.9 cmALEE13 -
Tianshu ZhangFrom the formless, it floated in, 2025Oil on panel8 x 8 in
20.3 x 20.3 cmTZ10 -
Tianshu ZhangBeing woven, 2025Oil on panel40 x 30 in
101.6 x 76.2 cmTZ14 -
Tianshu ZhangUntitled, 2026Oil on panel12 x 9 in
30.5 x 22.9 cmTZ15 -
Tianshu ZhangFrom the formless, it floated in II, 2025Oil on panel8 x 8 in
20.3 x 20.3 cmTZ17 -
Tianshu ZhangAwakening, 2026Oil and pastel on canvas36 x 48 in
91.4 x 121.9 cmTZ18 -
Tianshu ZhangUntitled, 2026Arylic and oil on panel24 x 48 in
61 x 121.9 cmTZ13 -
Tianshu ZhangRise, Arise, 2025Oil on canvas48 x 30 in
121.9 x 76.2 cmTZ08Copyright The Artist
Lee received her MFA in Fine Arts in 2022 and her BFA in Illustration in 2017 from the School of Visual Arts in New York City. She has exhibited her work at various venues, including A.I.R.Gallery, Wassaic Project, SVA Chelsea Gallery, SVA Flatiron Gallery, and HERE Arts Center, among others. She has been an artist in residence at the NARS Foundation, the InternationalStudio & Curatorial Program (ISCP), Wassaic Project, and Vermont Studio Center.
Tianshu Zhang (b. China 1994) is a painter based in New York whose practice centers on the fluidity of energy and the spiritual resonance of the human form. Working primarily in oil on canvas and wood panel, Zhang investigates the mayfly-esque state of existence born from years of cross-cultural migration. Her work seeks to look past physical surfaces to find underlying frequencies, where anatomical anchors—such as the spine and sternum—serve as stabilizers within a shifting, atmospheric field.
Zhang received her MFA from the School of Visual Arts in 2023 and her BFA from the University of Texas at Austin in 2017. Her work has been exhibited internationally, including at NADA Miami, Chambers Fine Art, Pulse New York, Chilli Art Projects, and Latitude Gallery. In 2023, she presented her solo exhibition Entropy and Hidden Force at Gallery Func in Shanghai.