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The Overslept Mayfly: Ailyn Lee and Tianshu Zhang: Curated by Shuang Cai

Upcoming exhibition
July 29 - August 29, 2026
  • Press Release
  • Works
  • Related Artists
Press Release
Mayflies are said to live for only one day.
 

Some say they emerge only to disappear. Some imagine they spend most of their brief lives hovering between water and air, light and shadow, instinct and sleep. Others dream of what they dream. 

 

Featuring the works of Tianshu Zhang and Ailyn Lee, the exhibition is to be read as the elaborated dreams of The Oversleft Mayfly. Moving through drift, metamorphosis, and private symbolism, the exhibition unfolds like a tale remembered incompletely — something overheard in sleep, half-preserved and half-forgotten.

 

Ailyn Lee’s work builds intimate cosmologies through insects and small devotional objects that feel at once familiar and strangely singular. Her paintings and sculptural tableaux resemble cabinets of memory: fragments of correspondence, nocturnal creatures, miniature reliquaries, and private mythologies arranged with ritual care. Butterflies and moons linger as quiet witnesses to longing, repetition, and reverie. Gothic and delicate, Lee’s world feels suspended somewhere between a childhood bedroom, a taxonomic archive, and an altar to things too fragile to keep.

 

Alongside, Tianshu Zhang paints figures that emerge and dissolve simultaneously. Flesh folds into shapes; bodies soften into liquified color. The morphing forms hover between intimacy and abstraction, as if caught mid-transformation — lovers, ghosts, embryos, selves. Saturated violets, bruised pinks, and glowing ambers move across the canvas like weather passing through skin. What remains is articulated sensations: tenderness stretched across instability.

 

Together, Lee and Zhang construct an emotional ecology of ephemerality. One gathers remnants; the other dissolves forms. One works through object and symbol, the other through atmosphere and bodily metamorphosis. Yet both return insistently to the same question: what does it mean to hold onto something that cannot remains?

 

Mayflies belong to a day in May, or so they say. Yet this one arrives late.

 

Perhaps it lingered too long in dream. Perhaps it lost its sense of season. Or perhaps certain fragile things simply refuse to vanish when expected. The Overslept Mayfly unfolds in this slight delay — where memory stretches, forms soften, and longing remains awake just a little longer.

Works
Curated by Shuang Cai
  • Ailyn Lee, A Room for Small Creatures, 2026
    Ailyn Lee
    A Room for Small Creatures, 2026
    Oil, colored pencil, drawer handle, lock, Hanji paper, plastic ant, paraffin wax, and wood stain on engraved panel
    12 x 6 x 1 1/2 in
    30.5 x 15.2 x 3.8 cm
    Courtesy of Latitude Gallery New York
    Copyright The Artist
  • Ailyn Lee, Moonlit Guest Room, 2026
    Ailyn Lee
    Moonlit Guest Room, 2026
    Water-soluble pastel, colored pencil, wood stain, and drawer handles on engraved panel
    16 x 16 x 1 1/2 in
    40.6 x 40.6 x 3.8 cm
    Courtesy of Latitude Gallery New York
    Copyright The Artist
  • Ailyn Lee, Please Do Not Open the Drawer, 2026
    Ailyn Lee
    Please Do Not Open the Drawer, 2026
    Oil, colored pencil, Hanji paper, thread, drawer handle, lock, paraffin wax, and wood stain on engraved panel
    6 x 12 x 1 in
    15.2 x 30.5 x 2.5 cm
  • Ailyn Lee, Dreaming jar, 2026
    Ailyn Lee
    Dreaming jar, 2026
    Water-soluble pastel, colored pencil, wood stain, drawer handle, and key on engraved panel
    20 x 16 x 1 1/2 in
    50.8 x 40.6 x 3.8 cm
    Courtesy of Latitude Gallery New York
    Copyright The Artist
  • Tianshu Zhang, Toward the last light, 2026
    Tianshu Zhang
    Toward the last light, 2026
    Oil on panel
    57 x 47 in
    144.8 x 119.4 cm
  • Tianshu Zhang, Suspira, 2026
    Tianshu Zhang
    Suspira, 2026
    Oil on panel
    12 x 36 in
    30.5 x 91.4 cm
  • Tianshu Zhang, Prayer, 2026
    Tianshu Zhang
    Prayer, 2026
    Oil on panel
    60 x 48 in
    152.4 x 121.9 cm
  • Tianshu Zhang, Just before the light touched, 2025
    Tianshu Zhang
    Just before the light touched, 2025
    Oil on canvas
    24 x 48 in
    61 x 121.9 cm
    Courtesy of Latitude Gallery New York
    Copyright The Artist
  • Ailyn Lee, Blooming Jar, 2026
    Ailyn Lee
    Blooming Jar, 2026
    Water-soluble pastel, colored pencil, wood stain, Hanji paper, drawer handle, and key on engraved panel
    20 x 16 x 1 1/2 in
    50.8 x 40.6 x 3.8 cm
  • Ailyn Lee, Threaded Wings, 2026
    Ailyn Lee
    Threaded Wings, 2026
    Oil, colored pencil, Hanji paper, thread, drawer handle, lock, paraffin wax, and wood stain on engraved panel
    6 x 12 x 1 in
    15.2 x 30.5 x 2.5 cm
  • Ailyn Lee, Evening Jar, 2026
    Ailyn Lee
    Evening Jar, 2026
    Water-soluble pastel, colored pencil, wood stain, Hanji paper, drawer handle, and key on engraved panel
    20 x 16 x 1 1/2 in
    50.8 x 40.6 x 3.8 cm
  • Ailyn Lee, Nabi, 2026
    Ailyn Lee
    Nabi, 2026
    Stone clay, Hanji paper, Nobang silk, textile, thread, needle, engraved wooden furniture, mannequin finger, pigment, watercolor, water-soluble pastel, and wood stain
    60 x 60 x 48 in
    152.4 x 152.4 x 121.9 cm
  • Tianshu Zhang, From the formless, it floated in, 2025
    Tianshu Zhang
    From the formless, it floated in, 2025
    Oil on panel
    8 x 8 in
    20.3 x 20.3 cm
  • Tianshu Zhang, Being woven, 2025
    Tianshu Zhang
    Being woven, 2025
    Oil on panel
    40 x 30
  • Tianshu Zhang, Untitled, 2026
    Tianshu Zhang
    Untitled, 2026
    Oil on panel
    12 x 9 in
    30.5 x 22.9 cm
  • Tianshu Zhang, From the formless, it floated in 2, 2025
    Tianshu Zhang
    From the formless, it floated in 2, 2025
    Oil on panel
    8 x 8 in
    20.3 x 20.3 cm
  • Tianshu Zhang, Awakening, 2026
    Tianshu Zhang
    Awakening, 2026
    Oil and pastel on canvas
    36 x 48 in
    91.4 x 121.9 cm
  • Tianshu Zhang, Untitled, 2026
    Tianshu Zhang
    Untitled, 2026
    Arylic and oil on panel
    24 x 48 in
    61 x 121.9 cm
  • Tianshu Zhang, Rise, Arise, 2025
    Tianshu Zhang
    Rise, Arise, 2025
    Oil on canvas
    48 x 30 in
    121.9 x 76.2 cm
    Courtesy of Latitude Gallery New York
    Copyright The Artist
Ailyn Lee (b. 1994, South Korea) is a South Korean interdisciplinary artist based in New York. She creates dreamlike scenes that explore memory, feminine identity, and transformation, using materials such as hand-sculpted stone clay, found objects, and traditional Korean silks. Her practice is deeply rooted in her family history—particularly her childhood spent in her grandmother’s antique shop in Busan, where she was surrounded by old furniture, marionettes, and figurative sculptures made by her mother. These early experiences continue to inform her instinct to reimagine everyday objects and biographical narratives with a dreamlike quality. Her process often begins with automatic drawings or fragments of dreams, which serve as intuitive maps for her practice.She has exhibited her work at various venues including A.I.R Gallery, Wassaic Project, SVA Chelsea Gallery, SVA Flatiron Gallery, HEREarts Center, and Busan International Art Fair. She has completed residencies at Wassaic Project, Kunstraum, Vermont Studio Center, NARS Foundations and more.

Related artist

  • Tianshu Zhang

    Tianshu Zhang

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Info@latitudegallery.nyc Or +1 (607) 303 9138

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